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Wedding: Brandon & Shiao – Part 1

Two months after I covered Brandon and Shiao’s ROM, I had the wonderful experience of covering their actual wedding day. Given the number of weddings that I have covered, I have to say that Brandon and Shiao’s wedding will be one that I will especially remember for a long, long time. Everything — from the people involved, the atmosphere, the emotions seen and felt, the many special moments that occurred during the day, the decor, and of course the lovely wedding couple, contributed to what many guests would deem as ‘The Wedding of the Year’. One of the special moments was their ‘first kiss’. Brandon and Shiao had vowed to wait till their wedding day to have their ‘first kiss on the lips’ and it was such a privilege for me to witness and capture the precious scene.

I recently came across the following quote by veteran war photographer Don McCullin:-

“Photography for me is not looking, it’s feeling. If you can’t feel what you’re looking at, then you’re never going to get others to feel anything when they look at your pictures.”

I personally believe that what McCullin says is true in most, if not all, genres of photography. One of the goals I have when I photograph weddings is to try and illustrate through the photographs what I was feeling and experiencing there and then at the wedding. The desire is to stir up some feelings (hopefully pleasant) in the viewer when they see the photographs.

The following are a selection of photos from the wedding. Part 2 of this blog post will mostly feature the brilliant work of Brandon & Shiao’s wedding decoration designers, Joyce and Weiyan from In Merry Motion, so watch out for it.

 

 

Women Photographers

After I did the write up on the Vivian Maier: Street Photographer book, I was thinking about why there were relatively few well-known women photographers compared to men photographers. I had a look at my bookshelf and found only 5 books by women photographers.

Maybe it has something to do with the way men and women are wired. Generally, I think men, compared with women, love gadgets more (e.g. cars, computers, iPads, iPhones, cameras, etc). More men are into cameras and fast cars. It matters not whether they are competent photographers or drivers.

The following are some comments on the books from the above photo (excluding Vivian Maier: Street Photographer which I already wrote about previously).

Britta Jaschinski’s Zoo (Amazon US & UK links). This book together with Garry Winogrand’s The Animals were the catalyst and inspiration for my own Zoo series. The portraits of Jaschinski’s Zoo animals are beautiful and yet tinged with sadness. Melancholic moodiness at its best!

Martine Franck by Louise Baring (Amazon US & UK links). This book (featuring 55 photographs) is an excellent introduction to Franck’s work. Franck has been a member of Magnum since 1983 and was married to Magnum founder, Henri Cartier-Bresson (1908 – 2004), who is widely acknowledged to be one of the greatest 20th century photographers. Franck’s fine art background comes out in many of her photographs with their wonderfully immaculate compositions. Her photograph taken at a swimming pool in the town of Le Brusc, Provence, France is one of my all-time favourite photographs.

“Composition in photography is in a way intuitive because you don’t have the time, but obviously you have to recognize all the elements. It’s a familiarity that comes with art training.” ~Martine Franck

“A photograph isn’t necessarily a lie, but nor is it the truth. It’s more of a fleeting, subjective impression. What I most like about photography is the moment that you can’t anticipate: you have to be constantly watching for it, ready to welcome the unexpected.” “Henri taught me to say ‘no.’ He taught me to be selective, never to show photographs one did not want to see published. I believe he learned this himself from Alexey Brodovitch at Harper’s Bazaar.” ~Martine Franck

Mary Ellen Mark‘s Indian Circus (Amazon US link). I found this book at a secondhand bookstore in Tokyo last year. Mark is one of the best photo-documentary photographers. Her books, Ward 81 and Falkland Road: Prostitutes of Bombay are classic photo-documentary books. Mark spent six months between 1989 and 1990 photographing eighteen Indian circuses. Indian Circus features about 70 photographs from this project.

“Photographing the Indian circus was one of the most beautiful, joyous, and special times of my career. I was allowed to document a magic fantasy that was, at the same time, all so real. It was full of ironies, often humorous and sometimes sad, beautiful and ugly, loving and at times cruel, but always human. The Indian circus is a metaphor for everything that has always fascinated me visually.” ~Mary Ellen Mark

Mary Ellen Mark‘s Seen behind the scene / Forty years of photographing on set (Amazon US & UK links). This book is a collection of her behind-the-scenes photographs taken over forty years on various film sets. She has photographed on the film sets of directors such as Federico Fellini, Francis Ford Coppola, Milos Forman, Tim Burton, Woody Allen, Baz Luhrmann and Alejandro González Iñárritu. The photographs in the book are accompanied with some interesting anecdotes by the actors, directors and film industry professionals that were linked to the films she photographed. Film buffs would enjoy this book.

Off the top of my head, besides the women photographers mentioned above, I also enjoy the work of Susan MeiselasSally Mann (her book Immediate Family is a real classic), Jessica Dimmock, Stephanie SinclairAndrea Bruce, the late Diane Arbus as well as the late Helen Levitt (excellent street photographer). Which women photographers would you recommend?

[This article was first posted on The Invisible Photographer Asia on 13th June 2012]

Avarielle’s 1st Birthday Party

Last month, family and close friends of Avarielle’s parents, Vincent and Irene, gathered together at Sengkang Swimming Complex to celebrate Avarielle’s 1st birthday. Baby Avarielle was born one day after Baby Rebecca whose 1st birthday party I also covered last month. It was a much smaller affair but posed the opportunity to capture photos which were quieter and more intimate.

Before the party started, Avarielle’s mum, Irene, said half in jest to me that she was going to keep her camera and leave all the photography to me. I thought there might have been a bit of apprehension in her voice as she was probably not used to having another person capturing such an important event. I assured her that she could put away her camera and simply enjoy her younger daughter’s birthday party. After I delivered the photos a week later, Irene texted me the following message: “Thanks Derrick. Can’t stop looking at the pics. Very nice shots.” One of my criteria for good photographs is that they are worth looking at a second, third, fourth or more time. Good photographs should also bring pleasure or stir the emotions of the viewer over a long period of time; so Irene’s comment of “Can’t stop looking at the pics” is very encouraging for me.

The following are a few photos from the birthday party: